Thu 14 Dec ’2320:30FrascatiFrascati 1
Fri 15 Dec ’2320:30FrascatiFrascati 1
“It is very quiet in the theatre. (...) There is no "good evening" and "goodbye", but only a sudden coming and going. And in between, the pages of life are spread out, read out, tasted, thought through.” nachtkritik.de
“The text is just twenty pages long. And yet it contains an entire century […]” Nürnberger Nachrichten/Nürnberger Zeitung
“Because no one hears anyone else say anything, no one says anything." In this seeming tautology, Nikitin captures the manipulative power of surveillance states, documentation technologies, and collectives.” Süddeutsche Zeitung
“What a risk! You can hardly expose yourself more. It could become exhibitionistic and embarrassing, slipping into the anecdotal. But the opposite happens. He gains strength and moves the audience. By publicly showing his doubts about himself and his vulnerability, they become his strength.” Bajour
About Boris Nikitin
Boris Nikitin, born in Basel and the son of Ukrainian-Slovakian-French-Jewish immigrants, is a theatre director and author. He is considered one of the most important voice in contemporary German-language theatre. For over thirteen years, his productions, texts and happenings have dealt with the representation and production of identity and reality. They are border crossings between illusion theatre and performance, between documentary and propaganda.
Nikitin's works are raw and confrontational, yet always precisely composed and always searching for the boundaries and breaking points of the aesthetic. "Like few others, Boris Nikitin is currently leading theatre to a critical point," writes the German professional journal Theater heute. In his last plays and texts, Nikitin increasingly deals with the relationship between art and illness. In 2017, Nikitin was awarded the J.M.R. Lenz Drama Prize of the city of Jena for his complete works. In 2020 he received the Swiss Theatre Prize. Attempt on Dying was invited to the Swiss Theatertreffen in 2021 and came to Frascati in 2022.
concept, text, performance Boris Nikitin production managment Annett Hardegen outside-eye Annett Hardegen, Matthias Meppelink in coproduction with Frascati Producties, It’s The Real Thing, steirischen herbst 22, Staatstheater Nürnberg Kaserne Basel, Ringlokschuppen Ruhr, Théâtre Vidy Lausanne, HAU - Hebbel am Ufer Berlin, Theater Chur and Omanut with the support of Fachausschuss Tanz & Theater der Kantone Basel-Stadt und Basel-Landschaft, Pro Helvetia, Stanley Thomas Johnson Stiftung the first draft of this work was commissioned by Omanut