soft cracks, hard curves
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Wed 25 Nov20:00try-outFrascati, AmsterdamFrascati 4
Ongeplaceerd/Free seating Standard ticket € 12,00 -
Thu 26 Nov20:00premiereFrascati, AmsterdamFrascati 4
Ongeplaceerd/Free seating Standard ticket € 16,00 < 27 jaar € 12,00 Stadspas € 12,00 CJP € 12,00 -
Fri 27 Nov20:00Frascati, AmsterdamFrascati 4
Ongeplaceerd/Free seating Standard ticket € 16,00 < 27 jaar € 12,00 Stadspas € 12,00 CJP € 12,00
Credits
concept, performance & sound Isadora Tomasi dramaturgy Konstantinos Chatzikypraios costume design Jelena Bondt set design Morgana Machado Marques light design Niels Runderkamp creative producer Michael Scerbo production Anca Turtoi outside eye Daniela Bershan and Maciej Sado residency partners workspacebrussels, Theater de Generator and CAVE co-produced by Frascati Theatre funded by AFK, Norma, Cultuurfonds and Amarte thanks to Nonna Betty, Rose Akras, Rita Bifulco, Felix Schellekens, Fernando Belfiore, Marco Croci, Genevieve Murphy, Ainhoa Hernandez Escudero, Riet Meeus, Cornelia (Coco) Hefting, Jonny Tudor, Belle de Wit and Fariborz Karimi
About Isadora Tomasi
Isadora Tomasi (she/they) is an Amsterdam-based performance and sound artist. She graduated from the DAS Theatre master’s programme in 2023 and received her bachelor’s degree in Mime from the Amsterdam University of the Arts (AHK) in 2015. Their practice moves between performance, dance, writing, music and sound art. Isadora places a strong emphasis on collaboration and dialogue and has presented their work within local and international artistic communities.
Influenced by queer and feminist thinkers, Isadora challenges fixed ideas around gender and identity. Personal experience plays an important role in their practice. Through discomfort and self-exploration, she looks at systems shaped by power, exclusion and violence. The larger social context can sometimes feel overwhelming. That is why Isadora also focuses on the ‘micro’: on small moments and changes that can create space for different ways of thinking and living together. In their work, she looks for alternatives to patterns that keep repeating themselves.