Residentie: slow and steady wins the race - research II: DEATH
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Wed 15 Apr ’2618:00Frascati, AmsterdamFrascati 3
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Thu 16 Apr ’2618:00Frascati, AmsterdamFrascati 3
About the makers
The two met in 2021 through a shared commitment to martial arts—specifically Muay Thai—as both a physical discipline and a creative tool. Their collaboration began with Try Not to Know What You Know (2022), a duet in which they developed a shared language of strength, tension, and intimacy. The rehearsal space became an arena: a place for confrontation, trust, and transformation. The performance was nominated for the BNG Bank Award at the Dutch Theatre Festival.
Since then, they have continued to explore how martial arts can open up space for softness, play, and care. They co-created the short dance film rocks and stones, broken bones (2023), examining discipline and pleasure through a punching bag, a skipping rope, and a pop song. Their collaboration continued with Coerced & Freely Given (2024), in which they deepened their exploration of physical tenderness and resistance in the face of political despair. The work received critical acclaim for its urgent physicality and poetic directness. Their latest project, slow and steady wins the race (2025), is a performative exploration of the body as a site of healing, resilience, resistance, and hope.
Milou van Duijnhoven (1992, she/her) is a performer, dancer, and martial artist. She graduated from the Toneelacademie Maastricht and SNDO (AHK), and her practice has developed around the relationship between body and voice. In her work, Milou is inspired by the cycles of nature, in which the body is driven by birth, growth, decay, and death. She works with resilience, endurance, transformation, and the sensuality of the body, creating performances that explore the dualities between control and surrender, humor and drama, dance and martial arts.
Merel Severs (1991, she/her) is a choreographer, performer, and martial artist. She graduated from the Utrecht School of the Arts and uses the language of the fighting body to question the violent systems that shape our lives. Rooted in intersectional feminism and body politics, her performances are acts of resistance and resilience, and attempts to build community.