© Yasemin Demirözcan

Beginnings maart 2026: Double bill

Elvis de Launay / Daan Buringa / Frascati Producties
Thu 5 Mar ’26 - Sat 7 Mar ’26
Two theatrical try-outs by emerging talent in one evening.
Thu 5 Mar ’26
-
Sat 7 Mar ’26

In Beginnings, Frascati Producties presents the theatrical research of emerging talent. Each edition offers two young theatre makers one month to develop new work. In March, it’s the turn of Elvis de Launay and Daan Buringa. From Thursday 5 to Saturday 7 March, they will share a first glimpse of their research in a double bill.

AURELIA SYLVIA VICTORIA MISERI MISERI MISERI CORDIA - Elvis de Launay / Frascati Producties 

How sacred is the bond between mother and daughter?

A daughter
writes
to her
“dearest darling beautiful saintly mother”
A poet
writes
about her
'Mother, whose witches always, always
Got baked into gingerbread'

After the death of her daughter, the poet Sylvia Plath, Aurelia Plath publishes the book Letters Home, a collection of more than 700 letters they wrote to each other, in an attempt to regain the daughter she lost to the poet and to death. 

In the dialogue AURELIA SYLVIA VICTORIA MISERI MISERI MISERICORDIA, Elvis de Launay (accompanied by Wine Dierickx) brings mother and daughter back together and writes a roaring love letter in an attempt at rapprochement, reconciliation and rebirth. 

About Elvis de Launay

Theatre maker, actor and writer Elvis de Launay graduated from Arnhem Theatre School in 2024 with her performance Cowboy och Meisje. She has performed in Maas speelt Maas, Wunderbaum speelt live (online gaat het mis) and Mama Dada, for which she received a Theo d'Or nomination. In 2025, she created her first full-length performance, Zee-Tuin-Jarman, at Werkplaats Walhalla. 

Her writing is personal, exploratory, poetic and always nourished by a wide range of sources. Her sober stagings focus all attention on the narrative and the language, creating space for the viewer's imagination. 

Body in a Bag - Daan Buringa / Frascati Producties

Who is permitted to use which narrative?

In Body in a Bag, Daan Buringa explores representation, appropriation, and moral conviction. When he is no longer the only wheelchair user in the room, his position shifts, raising questions about the relationship between visibility, recognition, and power. Through text, music and visual elements, he asks the questions: who is allowed to speak on behalf of whom? When does representation have an emancipatory effect and when does it become a means of power? When does a reflection on inclusion and visibility turn into judgement or control?

About Daan Buringa

Daan Buringa is a theatre maker and actor. He graduated from the ATKA at the Academy of Theatre and Dance (2025). Daan is a wheelchair user. In his work, Daan uses his own body and experience as research material. He creates performances in which form and content exert pressure on each other, and in which humour, control and vulnerability constantly clash. In previous solo performances and theatre productions, Daan explored themes such as dependence, dignity, loneliness and the urge to do everything yourself. His work is characterised by self-criticism and humour, and by constantly questioning his own position. For his performances WAT B€N IK WAARD? (What am I worth?) and Daan Buringa bedankt (Thank you, Daan Buringa), he received the “Top Naeff” Prize in the autumn of 2025. 

Credits

Credits AURELIA SYLVIA VICTORIA MISERI MISERI MISERI CORDIA

concept, text, direction Elvis de Launay performance Wine Dierickx and Elvis de Launay stage design Rabin Huissen in collaboration with Elvis de Launay end direction Lisa Verbelen

Credits Body in a Bag

concept, text en performance Daan Buringa direction and music Sieb ten Haaf performance Jard Struik end direction Olcay Erbek

 

     

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