© Sjoerd Derine

Disambiguation

Elisa Zuppini
Tue 20 May ’25 and Wed 21 May ’25
An exploration of the 'post-clubbing' world.
Tue 20 May ’25
and
Wed 21 May ’25

Disambiguation probes the libidinal drive and the sensorial overload linked to the diversified milieus of nocturnal life in it's most alluring, enigmatic, and shadowed dimensions.

In Disambiguation choreographer and dancer Elisa Zuppini crafts a system where human perception converges with the presence of other-than-human agencies. The sixteen dancers form a pulsing structure in which they extend toward and withdraw from the audience's perceptual field. Like chtonic waves a hybrid circuit of sensation is generated.

The dancers explore an insomniac framework, particularly that of 'post-clubbing' in which the stimulating effects and aftereffects of hedonistic nocturnal life is examined. They perform in a dissociative state of depersonalization, allowing them to resource from something other than conditioned subjectivity. Instead, they take charge of wandering intensities. The identifiable traits of these affects disperse, giving rise to erratic moods across perceptual spectrums. By inhabiting liminal and viscous spaces, the performers explore multiple sensibilities, navigating within the condition of metathreshold (a ceaseless transition, where boundaries dissolve and transformation occurs), where ambiguity itself sculpts tangible states.

Accompanied by deconstructed melodies and industrial rhythms, a haunting gothic trend emerges. Navigating a world erratically attempting to understand itself, Disambiguation reflects on collective agency and how this distributed cognition gives rise to a dramaturgy of affect. 

Aftertalks

Following the performance, researcher and lecturer Zeynep Gündüz will engage in a conversation with choreographer Elisa Zuppini. Drawing on her expertise in media, dance, and performance, Zeynep will delve into Elisa’s research for Disambiguation. The discussion will cover the process of creating a large ensemble piece, as well as the involvement of performers in developing movement and material.

The talk will also touch upon elements of post-clubbing culture and how navigating states of ambiguity can shape different ways of being. These conversations will take place on both evenings and will be held in English.

 

Credits

concept and choreography Elisa Zuppini performers Hannah Badura, Rowan van den Boomen, Tim Brügger, Harvey Burke-Hamilton, Lola Dupriez, Mandisa Gramelsberger, Katrina Gusca, Jieon Ko, Ana Longo Nsame, Maxine van Lishoet, Clémence Masakidi, Esteban Alejandro Obregon Moriano, Envel Serazin, Jentel Schiettekatte, Ditte Toppet artistic and dramaturgical advice Bruno Listopad supervisor sound editor Fabian Reichle featuring original tracks by Lotic and BFRND costumes Elisa Zuppini and Bruno Listopad light design Martijn Smolders graphic design poster Bruno Listopad and Tea Teearu developed with the support of AFK (Amsterdam Funds for the Arts) co-produced by Expanded Contemporary Dance and Festival WhyNot the work was previously researched together with the performers Efua-Maria Raknerud Aikins, Kofi Boanyah, Federica Lovato, Mia Malencia, Bo Nijssen, May van Leeuwen, Maren Weertman, Hope Landu and the assistance of Tamara Beudeker, at Expanded Contemporary Dance (May and June 2024) thanks to the performers, Bruno Listopad, Bojana Bauer, Belle de Wit, Marjolein Vogels, Maria Ines Villasmil-Prieto, Gideon Poirier, Tea Teearu, Avoidstreet, my family photography Sjoerd Derine

Others about Disambiguation

“How the sense of agency of the performers arrives in the complexity (and the sense of humour) of the choreography, and then is transferred to those looking on and listening in, very impressive.” Fransien van den Put, dramaturg, author and critic

“In Disambiguation Zuppini masterfully crafts a complex ensemble piece." Bojana Bauer, theorist, dramaturg, and artistic director of ECD Expanded Contemporary Dance, and CND responsable de formation et de pédagogie, Paris 

About the maker

Elisa Zuppini is an Italian-born choreographer and dancer based in Amsterdam, who graduated from the SNDO School for New Dance Development in 2018. Her practice explores the intersection of movement, systems thinking, and contemporary philosophy. She views choreography as a form of relational and affective architecture, a system where spatial and temporal elements interact dynamically to generate meaning.

Since 2019 she is part of Jacuzzi, a convergence of Amsterdam-based choreographers.